Delving Into the Data: What the #BeeWell Survey Tells Us About Southamptonā€™s Young People

Understanding the experiences of young people can be challenging. We are often forced to rely on anecdotal evidence, conversations with parents and educators, or our own instincts developed over years working in the sector. Even when high quality quantitative data does exist, the findings arenā€™t always relevant to the young people in our local neighbourhoods. Thatā€™s where programmes like #BeeWell come in.

What is #BeeWell?

#BeeWell is a youth-centred programme that exists to improve the wellbeing of young people across England. #BeeWell listens to the voices of young people through an annual wellbeing survey delivered with secondary schools. They work closely with young people, schools, partner organisations, local government, and health systems to act on the results.

Last autumn, #BeeWell surveyed just over 22,000 Year 8 and 10 pupils in 103 secondary schools across in Hampshire, Isle of Wight, Portsmouth, and Southampton. The survey covered numerous topics including health, relationships, hobbies, school, and much more.

The findings, released in March, give us a better idea of how our young people are feeling.

What about arts and culture?

The hobbies and entertainment section asked young people about the time they spent on various activities, including those linked to arts and culture.

Cinema and Theatre

When asked how often they go to the cinema or the theatre, 19% of the young people surveyed said they go to at least once a month, 45.8% go occasionally, while 35.2% go once a year or less. The picture in different Southampton neighbourhoods varies slightly, with 22.2% going at least once a month in Southampton South, compared to 16.2% in Southampton West. The data also shows a slight increase in visits for those with Special Educational Needs (SEN) compared to those without.

Reading for Pleasure

When asked how often they read for pleasure, 26% of young people said they read at least once a week compared to over 60% who read several times a year or less. The data shows that boys, those in older year groups, those who received free school meals and those with SEN are all less likely to read often compared to their peers. When broken down by area, the number of young people reading often was lower than average in Southampton East, North, South, and West, but higher than average in Southampton Central.

Making Things

When asked how often they draw, paint or make things outside of school, 40.4% of young people said they do this often or sometimes compared to just under 60% who did this occasionally or rarely. When looking at how gender affects these figures, the number of young people doing these activities often drops from 50.2% for girls to 28.8% for boys.

What next?

When we compare the findings above to the high number of young people regularly engaging in sports outside of school (71.4%), we can see that thereā€™s still a long way to go to improve engagement in arts and culture. However, quantitative data can only ever tell us part of the story, to fill in the blanks we need to continue to engage in conversations with young people and other stakeholders. We need to keep evaluating ourselves and asking the challenging questions. Are our services affordable, accessible, and inclusive? Are we visible enough to the communities we aim to support? How can we collaborate with other sectors like sports or healthcare? How can get better at referring to other services in our area?

But you donā€™t have to do it alone. Through our blog and our Member Meetings, the SCEP is here to help you find creative solutions to the issues facing our young people.

Further Reading

#BeeWell Neighbourhood Data Hive

HIPS Headline Findings 2024

The #BeeWell team also completed a research briefing on PACE, where conclusions show that engagement in a wide range of activities is beneficial for wellbeing. Read more here.

To discuss the programme in more detail the team can be contacted at hiow.beewell@hants.gov.uk

You Said, We Did

We surveyed Southampton Cultural Education Partnership (SCEP) members in the spring of 2023 about the future of the SCEP. Key things you said you valued about the SCEP were:

  • The generosity of spirit SCEP engenders and how egalitarian our spaces feel
  • How our meetings increase your understanding of the cultural sector in Southampton and new policies and strategies
  • That our work improves your practice through sharing approaches, projects and training
  • Developing your networks which feeds into new projects and work
  • That we extend the reach of the cultural sector into other areas in the city e.g. Youth and Health services

You said you liked the meetings being a mix of online and in person, and that the SCEP newsletter was useful for finding out about new funding and activities, although you asked for bullet points at the top of each newsletter on its contents.

We also asked about your priorities and the areas you felt the SCEP should focus on. You told us childrenā€™s health and wellbeing was a key concern, how young peopleā€™s employability skills were supported, and how we ensure that it was easy for children in Southampton to know what was on offer and access arts and culture. As a result the SCEP Steering Group agreed our three strategic aims which are:

  • Increasing Health & Wellbeing for children and young people through arts engagement
  • Pathways & Progression: testing out new approaches to conserve capacity and resources including referrals processes
  • Building a workforce for the future: providing inclusive training and skills development opportunities for young people and the cultural sector

Over the past year, as well as concentrating on how the SCEP delivers our strategic aims, we have focused on delivering the things you value about the SCEP. We have:

  • Set up termly member meetings that are online (October 2023) and in person (February 2024)
  • Planned in extra time to in-person meetings for networking
  • Added a section to meetings for members to present emerging practice
  • Added bullet points to the top of our newsletters

We look forward to continuing our work with you to nurture creative and cultural education for all children and young people in the City over the next year.

Creative Health and the Role of Arts Organisations in Health and Wellbeing

By Rosanna Sloan

Rosanna is the Interim CEO at The Arts Development Company and the SCEP Steering Group lead for Health and Wellbeing.

Creative Health is the practice of using culture and creativity to improve peopleā€™s health, wellbeing, and quality of life. You may have heard of dance classes for those with Parkinsonā€™s disease or music therapy for dementia patients, but Creative Health supports people of all ages. Many cultural projects for children and young people have direct or indirect benefits to their health and wellbeing, and so, you may be working in Creative Health without even realising.

“When we remember the WHO definition of health, which states that health is more than merely the absence of disease and infirmity, but the attainment of the highest level of physical, mental and social well-being, then the value of the arts becomes apparent.”

WHO Arts & Health Lead, Christopher Bailey

We are currently facing a mental health crisis for children and young people.

It is a sobering statistic that there is a 50% increase in the likelihood of a young person having a mental health problem. 50%. The effects of the pandemic, exam pressure, social media and so on are having a tangible impact on the wellbeing of young people. It is concerning that 34% of young people who get referred to the NHS for treatment are not accepted. Our health facilities are struggling, and this is where the arts can help.

Social Prescribing

Social prescribing is when an activity or service is ā€˜prescribedā€™ instead of, or in addition to, medication. It is an area that needs further demystifying for arts organisations. There are, in some areas, dedicated Social Prescriber or Link Worker roles that prescribe activity to support a patient’s recovery.

“Our measures should reflect this holistic approach, focusing not solely on reduction of symptoms but on how the arts may help us cope, achieve our potential, be productive, and active members of a community.”

WHO Arts & Health Lead, Christopher Bailey

What I am seeing as I delve further into the research and on the ground delivery of Creative Health, is that these two distinct sectors need a translator to bridge the communication void between them. The two sectors use different terminology and the funding systems behind creative health from the healthcare sector are not clear. However, there are organisations that are trying to support this, including the organisation I work for The Arts Development Company.

Creative Health isā€”as demonstrated across many research papersā€”a highly successful and cost-effective way to improve a person’s health. It allows people to live happier, longer, more fulfilled lives, which in turn reduces strain on healthcare services. And so, it is an area that more arts organisations need to tap into.

What can we do?

As arts budgets are being reduced, we need to tap into the funding streams for Creative Health and identify projects that deliver health benefits for its participants. In our SCEP newsletters, we already see many examples of our members working in this area, but how can more of us get involved?

“We know that time is an important factor in establishing good programmes, so we must work together as a sector to ensure our services have longevity.”

We need to read up and be engaged in the conversations and research papers around Creative Health. We need to find a way to collaborate with health services and each other to create multi-year projects that are effective and provide stability for those that need them. Too often, wonderful projects happen, they support their participants for a short time, and then a lack of funding spells the end of all that work. We know that time is an important factor in establishing good programmes, so we must work together as a sector to ensure our services have longevity.

In addition to this, we should keep our eyes open to examples of best practice for people of all ages and question the health outcomes of our projects so we can provide data for future potential funders. We should use the right language and take advantage of the excellent work that has been done already in this area, for example using the Creative Health Framework as a way to consider and plan Creative Health projects.

As the SCEP Steering Group lead for Health and Wellbeing, I would welcome any of our members to get in touch to connect on your Creative Health projects and your interest in this area.

Further Reading:

Creative Health Talks

Creative Health Quality Framework

Creative Health: The Short Report

Arts Council

National Centre for Creative Health (NCCH)

NCCH Roundtable on Education and Training: Creativity for Health and Wellbeing in the Education System

Social Prescribing (Barnardos)

Join us for the SCEP Expo on Monday 11 March

Join Southampton Cultural Education Partnership (SCEP) for an evening of networking and celebration at John Hansard Gallery on Monday 11 March, 17.30-19.00.

We are delighted to host the Connecting Culture Project and the young Cultural Connectors as they launch the Young Peopleā€™s Manifesto for Culture and Creativity in Southampton. Connect with arts and cultural organisations and meet SCEP members who will be sharing examples of activities and resources available for children, young people, and schools in Southampton.

Cultural Connectors at What’s Next Southampton? Credit: @devplacephotos

Directions to John Hansard Gallery can be found here. If you’d like to attend, please RSVP below.

How Cultural Education can help SEND students

If we want equity baked into our education system, ensuring children with Special Educational Needs and Disabilities (SEND) thrive is a vital goal.

The former Children’s Commissioner Anne Longfield told The Times Education Commission in 2022 that “The talents of hundreds of thousands of children are being squandered”, including those of children with SEND.

Cultural Education provides an inspiring and engaging way to support students with SEND to access a mainstream curriculum and demonstrate their knowledge and skills.

Promising results for SEND students

Our Better Lives Through Culture project, which worked with four schools across Southampton in 2023, found using the arts enabled:

  • Primary SEND students to demonstrate their knowledge and fully take part in lessons
  • Secondary students in Alternative Provision to build confidence, communication and teamwork skills while engaging in school work

Support for children with SEND

For children with SEND the current school wide issues of poor student mental health and attendance are severe.

In the Pearson 2023 School Report, teachers reported that support for students with SEND is expected to be one of the biggest barriers to learning over the next six months. Delays to Education, Health and Care Plans (EHCP), and lack of funding for specialist support are reported by schools across the region.

Using dance to demonstrate knowledge

One way to support students with SEND is to use arts and culture across the curriculum. Working with Banister Primary School, movement specialist Natalie Watson used dance to deliver parts of the Geography and Science curriculum.

When studying Butterflies in Science in Year 2, rather than asking children to create a mind map of what they knew about butterflies Natalie asked the children to move and behave like butterflies. This allowed students with SEND to express their knowledge and have it recorded by the teacher. Using dance increased access to lessons for children with SEND and lower achieving children in Key Stage 1.

Increasing engagement with complex vocabulary

Teachers also noticed that using dance helped lower attaining children engage better with more complex vocabulary. Pupils were able to retain and retrieve the words.

In Geography, children could show the different ways rivers moved and could recall geography vocabulary such as meandering to describe rivers. Classifying animals in science was also more engaging for the children using movement.

Natalie and the school worked together to refine their approach to using Dance. This was then rolled out across Geography at Key Stage 2 and Science in Reception and Key Stage 1 with supporting resources and a lesson plan. INSET training was provided to model how to use the resources with the classes.

Engaging students in Cantell’s Learning to Learn Hub

At Cantell School, SoCo Music Project worked with students within the school’s Learning to Learn Hub. Some students wrote song lyrics linked to their English text as part of their Key Stage 4 English Curriculum.

Attendance and engagement are key outcomes needed for the students in the Learning to Learn hub. The students who worked with SoCo’s artist Craig engaged in the project with Craig tailoring activities to the students each week.

Their teacher remarked the approach was very well suited to the learning to learn model. The students responded differently to an artist and respected their expertise. After building trust the students engaged in independent work writing lyrics and worked as a team performing on the drums together.

Working with artists is CPD for teachers

Teachers across all of the Better Lives Through Culture projects reflected that working with artists was a form of CPD for them. They learnt new ways to work and communicate with their students.

For teachers looking for strategies on how to support SEND students within their classrooms cultural learning offers important tools and approaches.

Southampton Cultural Education Partnership (SCEP) members have expertise in working with students with SEND and crafting arts-based interventions.

Join the SCEP to learn more and connect with arts colleagues who can help you support students with SEND.